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No Content - Malcontent

I read about the artist BNE in the NY Times today. He has show opening up in New York this week. Formally I think his work has a certain rigor, an admirable bluntness. Conceptually, however, the cupboard is bare.

Upon being asked what BNE means he replies, “Let’s just say it has a meaning that’s personal to me,” and “At this point, it means whatever you need it to mean.”

Of course his “guerilla” methods also bring to mind Banksy, the comparison ends there. Banksy’s work is imbued with anarchy and sympathy, ardent revolutionary zeal. His work is just as recognizable without being merely repetitious. Like BNE he co-opts the language or graffitti, club culture. Unlike BNE he has something to say.

Warhol, the great pop art swindler, also resisted meaning in his work. He elevated the visual language of the mass production/consumption into a kind of everyman’s art, one that intially masqueraded as avant garde. I think BNE is playing the same trick here but with a bold sans-serif logotype. It could just as easily say DKNY. His show includes some pieces where he has stamped BNE over the iconography of other major brands. Again here this is not oppositional content it is merely a proclamation of his wish to heard or seen as important.

BNE sees himself in competiton with the same brands whose monolithic branding programs he emulates. He is in a way. In the way that advertiser and and their agencies understand very well. Hence, Mother New York’s sponsorship of the show. Banksy, has turned down many offers to sell out to advertising.

Mother also taints our eye with some advertiser friendly bumfluff about BNE relevance to social media.

“B.N.E. has single-handedly created a globally recognized and valued brand in the new social economy,” Mother officials said in a news release. “His presence in Flickr photo galleries and YouTube pages dwarfs that of many multinationals.”

This may be true. Is presence all that matters? How is BNE valuable? What lessons do we learn from his practice?

Ultimately BNE’s failing is that he does not pose any interesting questions. The closest he gets is this:

“I don’t see other graffiti writers as my competition anymore,” B.N.E. said. “Now I’m going up against the Tommy Hilfigers, Starbucks, Pepsi. You have these billion-dollar companies, and I’ve got to look at their logos every day. Why can’t I put mine up?”

Well BNE, you can put yours up, and you do. The means to produce this type of communication has been in our hands for a long time. The means to produce stickers, posters, video, 3d environments, virtual realities, and on and on and on. Too bad you have so very, very, little to say.

Here’s Banksy:

“The time of getting fame for your name on its own is over. Artwork that is only about wanting to be famous will never make you famous. Any fame is a by-product of making something that means something. You don’t go to a restaurant and order a meal because you want to have a shit.”

Work In Progress

Untitled (Graphite on Brown Paper), Work in progress by R. E. K. Cavill

According to her parents, Young American Artist, Rosalind Cavill has been hard at work in her studio. We were only able to grab this quick snapshot yesterday. More to follow I’m sure.

Prisencolinensinainciusol

Mig found this

November

Like you do

Turning the Place Over - Richard Wilson, 2007 from Liverpool Biennial on Vimeo.

Lunchtime Soup

I had a tin of soup today for lunch. A worthy underflavoured can of Amy’s (organic or some other unprovable claim) Cream of Tomato. It wasn’t the worst thing ever. Don’t bother buying their soups if you like food to taste of something. I remembered very suddenly getting Cup’o'Soups in my lunch in middle school and high school. Amy’s is not as bad as that. Well, bad in a different way.

Starwars Uncut

There is a pretty funny project going on at the moment at starwarsuncut.com. It’s a crowd sourced version of Star Wars Episode IV: A New Hope (non-nerds know this film as Star Wars).

A bunch of friends kindly deployed their Miniature Stormtroopers last weekend to shoot scene 25. Getting Mini Princess Leia and her guards on film and in costume was no easy matter. It’s a bit like trying to herd very cute, sometimes angry monkeys, who also happen to be cats. Here is our effort:

See it in context on the SW Uncut site.

Have a look around, every so often you will find yourself on the floor. It’s best if you sign up so you can see the original scenes and then the new ones.

Photographic Evidence of Betrayal!

You know when you move to the USA that eventually everyone else you know will end up there too? Well it has happened! Except it turns out no one is nice enough to tell us! Did you think we wouldn’t notice?

 

So don’t bother to pretend that you still live in London next time we visit ok? It’s embarassing to all of us.

Nice one about the “band” Paul Ronney Angel maybe you shouldn’t have pretended that they were so successful. Well I hope you enjoy your cows.

Oh and Igor? I hope your “roadying” for Edwyn Collins is equally satisfying. We have seen where you park. You can’t live far from there!

Bastages, the pair of you!!

Orc Mask Looks Like Scott W.

Don’t it?

Tough Times, Limp Wrists

Designers often have to educate their clients about design. How long it takes, what a font is, why changing a design after it has gone to production is a bad idea and so on. They should, they know about design, they went to school to learn all about it.

It’s also true that tough economic times are going to result in less design work overall. Less advertising, less packaging, less branding, less people sitting around in pubs and bars talking nonsense about words and colours. That means clients become pickier. It also means that the people responsible for landing design work will promise more work for less money.

Don’t you think that the proliferation of this kind of client critical side-project (see the picture above)is a signifier of something very sad? The sad thing being that designers have too much time on their hands and also that they are SPOILT CRYBABIES?

Design is easy. Choose a typeface choose some colours, take some pictures, then put it on a grid. You could be drywalling, shovelling dirt, picking up garbage up off the street, clearing tables in the same bar you currently go to complain about your clients.

Now go and do some work.

see also Crybaby Agency Time